So today is the first filming day. We started with picking an outfit the makes my dad look bigger. We are also going for a more thug but also mysterious look. We picked dark pants, boots, and a leather jacket. The next step was prepping the camera. I put the camera in the gimbal, balanced it, and then we were ready to go. The way we started the clip was with a down angle of the paper. He then closes the folder then grabs a car key. We have yet to film the rollers but then we cut to the car being parked. The wheel badge is shown coming to a stop. The door then opens a black boot steps out. It then cuts to him walking down the hallway with the camera low not showing his face and rotating around his body. He stops at the mail drop off and then puts a lock pick into the mail box. This would be illegal but it is for our house, and the camera does a brief cut to when he gets it open. During the cut, he will put the real key into the box and then he it but it does not show on camera. And...
To finish filming Chapter 2, we need to capture a few important scenes. The sequence begins with the sound of my alarm going off. This moment signifies the start of a new day, filled with both excitement and anxiety. As I get out of bed, we want to convey a sense of urgency. Next, I’ll move to the kitchen to make breakfast. This scene will add a relatable touch, showing a bit of normalcy before the chaos of the race. Cooking will allow us to introduce some personality and illustrate my character's daily life. While I’m preparing my meal, I receive a phone call from my friend. This call is a key moment in the story. My friend shares the thrilling news that I’ve qualified for the final street race. This revelation raises the stakes and adds tension to the scene. I’ll react with a mix of excitement and nerves, reflecting how much this means to me. During the conversation, my friend tells me who my opponent is: JB. This is an important introduction, as JB has a notorious reputation in...
As part of our filmmaking process, we engaged in peer review sessions where fellow filmmakers provided valuable feedback on our work.During these sessions, some reviewers expressed dissatisfaction with certain shots, particularly in regards to blending and coloring. Constructive criticism highlighted areas where our editing choices may have detracted from the overall visual cohesion of the film.Specific comments focused on inconsistencies in color grading, with some shots appearing overly saturated or mismatched with surrounding footage. Additionally, concerns were raised about the blending of certain scenes, where transitions between shots felt abrupt or disjointed. Recognizing the importance of incorporating feedback, we carefully considered each recommendation in our subsequent editing sessions. We revisited the problematic shots, experimenting with different color grading techniques to achieve a more harmonious visual aesthetic. Adjustments were made to saturation levels, hue...
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